Notorious for being expensive, unsuccessful, and killing the relationship between producer Robert Evans and Director Francis Ford Coppola, “The Cotton Club” was also a feature player in a real life murder case where one of the financiers was murdered by contract killer and a former drug associate. With all the bad publicity surrounding the film, it is surprising how good it actually is. There are many faults with the film but the subject matter and the ambitious goals of the film makers were not among them.
I actually own a copy of this beautiful poster
Welcome back to the continuation of the “30 Years on Project” with this dazzling film that doesn’t quite work but comes close enough to be entertaining and worth your time. It features performances from a wide range of actors, a production design that is outstanding and Francis Ford Coppola’s return to gangster movies a decade after his masterpiece “The Godfather Part 2”.
Some movies need a story to carry them, some need a star, others require special effects artists to make the movie worthwhile. “Streets of Fire” doesn’t really have any of those things but it does have the vision and willpower of it’s Director, Walter Hill. After the success of “48 Hours” he was bankable, in demand, and he had a vision. His dream was a Rock and Roll fable that included all of those things a movie lover might like to see in a story, flash, neon, explosions, weird characters, gunplay and rain on the asphalt. This movie gives it to us in spades and never tries to be more important than it is.
This movie screams “1980s”. The bright colors, and wall to wall soundtrack along with the high concept are all indicators of the extravagances of of that decade. “Streets of Fire” is a license to geek out on the kinds of cinematic visuals and aural richness that make us love movies. It’s not a great film, but its a great film to watch.